thm.
🌟🌟🌟
NameJess
Age22
Personality🌻

Off the road to Elegy…

cosmoshard:

ghostlypanda:

i think it’s time for some

rise raph appreciation

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i may be hyperfixating on leo rn but i gotta show some love to my favorite iteration of raph ❤️❤️❤️ i adore this big goofy badass

ITS RAPHALOVE WEDNESDAY FOLKS

themythicalcodfish:

ilsa-fireswan:

sonatagreen:

dduane:

a-spoon-is-born:

anarchofoxxy:

spiritscraft:

hersheywrites:

86champagnepuppies:

hey if you’re in the U.S. and use food stamps or know somebody who does i found this online cookbook that has recipes for eating well on approximately $4/day :o) 

I don’t have food stamps but I need to know how to eat well for $4/day. Thank you for this.

I love this cookbook!

Tips and tricks on how to survive being working class.

I’ve seen this kind of thing before and a lot of them are full of random weird shit you’d never make…because of time constraints or like, it just sounds super gross.

But this one had a whole section that’s just “Things on Toast”. Another that was all about putting crap in your oatmeal to make it better. Those are fairly pedestrian and don’t take forever.

I haven’t looked through the whole thing yet but so far it’s actually pretty practical. Also if you’re broke like me and don’t know how to make Dal, you should get on that. 

I also liked that there’s this at the beginning:

This book isn’t challenging you to live on so little; it’s a resource in case that’s your reality. In May 2014, there were 46 million Americans on food stamps. Untold millions more—in particular, retirees and students—live under similar constraints.

Been there. Done that. Advice on this art is always welcome.

The link above seems to be broken; here’s one that still works.

The Good And Cheap cookbook is 100% free as a PDF download from the author’s website and is available in English and Spanish. It is practical, tasty, easy, and kind. Physical copies are one of my top “so you have your own place now” gifts. Highly recommend.

(note that the PDF is oriented the same as the physical book - two square pages - so it’s more landscape format and might be difficult to read on a phone)

When I say this book saved me between 2011 and 2013, I genuinely mean it. Download it if you can’t afford anything else, but if you can, do buy a copy.

luminarai:

A screenshot of a Twitter thread from user alanaauston saying, "um? I assumed those commercials used water because they couldn't show blood but it's really because no one... thought to test actual blood?" Theres a screen shot from a TikTok video attached.ALT
A screen shot from a TikTok from an unmentioned user. It has a long haired person in the background and in the foreground is a text in white with black borders saying, "Me explaining to people that the first study where scientists actually tested the absorbency of period products using BLOOD and not water was only published on Monday this week -and unsurprisingly it's shown that products aren't as absorbent as their labels say which drastically impacts how doctors have been diagnosing heavy bleeding"ALT
A different screen shot from Twitter, this from Twitter user JasmineAGolphin in response to user alanaaustin's first tweet, saying, "Absolutely no shape to op but I didn't fully believe this absolute fuckery so I not only read the article but I read the abstract and then then downloaded the pdf of the study itself and y'all (line break) Y'all (another line break) They were using saline and water." There's an attached image of a block of text.ALT
The text image that user JasmineAGolphin uploaded from the study in question. It's black text on a white background that says, "This clinical evaluation has become more challenging with the availability of a wide range of alternative menstrual hygiene products. The current validated clinical tool routinely used to assess menstrual blood loss is the Pictorial Blood Loss Assessment Chart (PBAC). The PBAC is based on saturation of menstrual pads and tampons; newer menstrual hygiene products have yet to be integrated into the PBAC. To complicate matters, no industry standard exists for capacity testing of mentrual products except for tampons due to their historical link between absorbency and the risk of toxic shock syndrome. (3) Individual manufacturers may report collection capacity of their product using a liquid such as saline or water which is not equivalent to menstrual blood. Menstrual blood not only contains blood but is also composed of vaginal secretions and endometrial cells. (4) Individuals with HMB may also experience rapid blood loss (flooding) or pass clots which can further challenge the absorption of some products and lead to leaking."ALT

hey, hi, I was just on the former bird app and came across this info from a brand new study and now I cannot stop screaming internally??? what the actual fuckkkk

theres’ an article from the guardian here and here is the actual study:

nimona-antifa:

esoteric-merit:

charlesoberonn:

birdscreaming15:

actuallyjuststealingmemes:

fuocogo:

connard-cynique:

charlesoberonn:

wonder-meathead:

boyonetta:

charlesoberonn:

charlesoberonn:

This looks like a fucking parody post, or an edgy edit, but it’s 100% official real Flintstones.

Clarification: I don’t hate this book, I love it, it’s amazing. It’s just that taking a step back and looking it out of context is still really funny. Especially the line “We participated in a genocide, Barney.”

ok but imagine them in their cartoon forms saying this dialogue i’m

can we have some context to this, perhaps?

Bedrock is having a mayoral election. One of the candidates is a violent war mongering asshole that riles people up against the lizard people. This reminds Fred and Barney of their time in the army.

Back then the father of said violent candidate was riling people up against the “tree people”. Fred, Barney, and other soldiers fought what they believed to be a defensive measure against the tree people. Turns out, it was actually an invasion, in order to kill off the tree people and take over their forest to build Bedrock.

That’s what Fred means when he says he and Barney participated in a genocide. They literally did.

(Extra fun fact, Barney adopted a tree person baby after the war, and his son Bamm-Bamm is the last tree person.)

just fucking read it

http://readcomiconline.to/Comic/The-Flintstones

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There are a lot of interesting things about this post but the AK-47 shaped spear is what really got me

This is just as wild with the context

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Some of my favorite moments in the series

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From the foreword to 2021 print of the comic.

The fact that the gays’ names are literally Adam and Steve is hilarious to me. Like, he’s not being subtle. I love this so much. I’m going to be reading this for sure.

realmarysue:

todaysbird:

as a huge lover of birds, 90% of the concern against wind turbines being used for energy is literally just pro fossil fuel propaganda. birds ARE at a risk however there is a lot of strategies even as simple as painting one of the blades that reduces a lot of accidental deaths. additionally renewable energy sources will do more in favor of the environment that would positively impact birds (and all of us). one study found over one million bird deaths from wind turbines. while that is a shockingly high number and we should work to drastically shrink it, at least 1.3 billion birds die to outdoor cats on a yearly basis. it was never about caring about birds

Good news! A significant amount of time and money is spent by companies who are building and operating wind farms to reduce bird deaths, and other animal deaths as well!

Source: I work in renewable energy construction and a way larger part of my job is dealing with birds and bird deterrent than I ever expected. I got the APLIC approved Avian Protection Plans all lined up and the parts for the deterrents for the substation are being delivered to site!

jdididydog:

birthdaysongs:

i think a lot of the magic of this shithole website actually comes from the fact that the search feature is completely useless… like the fact that you quite literally cannot search for a post even if you type it in word for word means that all the classic, beloved, and infamous posts are these ephemeral things that only come around every so often and can only be found organically when they happen to make it to your dash like a flock of rare migratory birds

*types exact wording of a post*

search function:

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mndvx:

HEARTSTOPPER — Truth/Dare (S02E06)
››› Fisayo Akinade as Nathan Ajayi
››› Nima Taleghani as Youssef Farouk

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ribghoul:

my girlfriend is able to take like a 20-min nap and bounce back with full energy. idk how she does that. when i lie down i wake up 12 years later in a hospital bed i rip the IV out of my arm and stumble into the hallway the whole building is littered with bodies, i make my way back to my house but my wife and children are long gone

raveneuse:

Michael Armitage, Kampala Suburb, oil on Lubugo bark cloth, 2014

gabrielisdead:

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finally I got them all

aniseandspearmint:

guerrillatech:

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  • They didn’t want to sit through demeaning and bigoted religious services just for a place to sleep. (Church run food banks do this a lot too btw).
  • They were late and the shelter wouldn’t let them in and voided the rest of their allowed stay bc they didn’t call and tell the shelter they couldn’t make it in before closing.
  • One of the other people at the shelter got violent/threatened violence and the shelter refused to do anything about it.
  • One of the SHELTER EMPLOYEES/VOLUNTEERS got violent/threatened violence and the shelter refused to do anything about it.
  • The shelter refuses to disclose if allergens are in the food they’re providing saying, “This is all you’re getting, be glad for this much and thank god!”
  • Shelter refused to believe person is homeless saying, “You are FAR too clean and nicely dressed!”

c-is-for-circinate:

There are a lot of abuse and recovery stories out there in fandom.  A lot of them are written by people who’ve never been in an abusive relationship.  That’s fine, that certainly doesn’t mean you can’t write it, especially when it’s present in canon.  Unfortunately, it does mean that a lot of people get it wrong.

The usual abuse narrative you see in fandom is a story about absence.  The lack of safety.  The lack of freedom.  The lack of love, or of hope, or of trust.  They try to characterize the life of an abused kid, or an abused partner, based on what’s missing.  They characterize recovery based on getting things back: finding safety, discovering freedom, and slowly regaining the ability to trust—other people, the security of the world, themselves.

That doesn’t work.  That is not how it works.

Lives cannot be characterized by negative space.  This is a statement about writing.  It’s also a statement about life.

You can’t write about somebody by describing what isn’t there.  Or you can, but you’ll get a strange, inverted, abstracted picture of a life, with none of the right detail.  A silhouette.  The gaps are real but they’re not the point.

If you’re writing a story, you need to make it about the things that are there.  Don’t try to tell me about the absence of safety.  Safety is relative.  There are moments of more or less safety all throughout your character’s day.  Absolute safety doesn’t exist in anyone’s life, abusive situation or not.

If you are trying to tell me a story about not feeling safe, then the question you need to be thinking about is, when safety is gone, what grows in the space it left behind?

Don’t try to tell me a story about a life characterized by the lack of safety.  Tell me a story about a life defined by the presence of fear.

What’s there in somebody’s life when their safety, their freedom, their hope and trust are all gone?  It’s not just gaps waiting to be filled when everything comes out right in the end.  It’s not just a void.

The absence of safety is the presence of fear.  The absence of freedom is the presence of rules, the constant litany of must do this and don’t do that and a very very complicated kind of math beneath every single decision.  The lack of love feels like self-loathing.  The lack of trust translates as learning skills and strategies and skepticism, how to get what you need because you can’t be sure it’ll be there otherwise.

You don’t draw the lack of hope by telling me how your character rarely dares to dream about having better.  You draw it by telling me all the ways your character is up to their neck in what it takes to survive this life, this now, by telling me all the plans they do have and never once in any of them mentioning the idea of getting out.


This is of major importance when it comes to aftermath stories, too.  Your character isn’t a hollow shell to be filled with trust and affection and security.  Your character is full.  They are brimming over with coping mechanisms and certainties about the world.  They are packed with strategies and quickfire risk-reward assessments, and depending on the person it may look more calculated or more instinctual, but it’s there.  It’s always there.  You’re not filling holes or teaching your teenage/adult character basic facts of life like they’re a child.  You’re taking a human being out of one culture and trying to immerse them in another.


People who are abused make choices.  In a world where the ‘wrong’ choice means pain and injury, they make a damn career out of figuring out and trying to make the right choice, again and again and again.  People who are abused have a framework for the world, they are not utterly baffled by everyone else, they make assumptions and fit observations together in a way that corresponds with the world they know.

They’re not little lost children.  They’re not empty.  They’re human beings trying to live in a way that’s as natural for them as life is for anybody, and if you’re going to write abuse/recovery, you need to know that in your bones.

Don’t tell me about gaps.  Tell me about what’s there instead.